English (Writing)

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Back to Table of Contents for On Course Across the Curriculum

 

1. Strategy: Jigsaw
Application:
Developmental Writing

Educator: Stacey DuVaul, Faculty, Writing, University of Arkansas-Forth Smith, AR

Implementation: When learning descriptive writing, students often struggle to understand the importance of details; therefore, I use the Jigsaw to demonstrate this importance. I begin with the Mark Twain quotation, “The difference between the almost right word and the right word is really a large matter--it's the difference between the lightning bug and the lightning.”

In Step A, I put students into home groups and have them choose to become their group’s expert in one of four areas:

Expert #1: Connotative Word Choices—understanding the difference between denotative and connotative meanings of words.

Expert #2: Figures of Speech—using similes, metaphors, personification, etc.

Expert #3: Sensory Images—adding details of sight, sound, taste, touch and smell.

Expert #4: Organizing Details for Impact/Effect—using emphatic order to build the word picture and create that dominant impression that IS descriptive writing.

Students then begin developing their expertise by studying their chosen area in the course text

In Step B, students join their expert groups and discuss what they are learning about the descriptive writing skill of their choice.

In Step C, experts return to their home groups to teach their skill to their peers. Home groups then write a descriptive paragraph using all four elements and present it to the whole class.

 

2. Strategy: On Course Self-Assessment Inventory
Application:
College Composition

Educator: Peggy Walton, Faculty, English, Howard Community College, MD

Implementation:  For the past 3-4 years, I’ve been asking students in my college composition classes to take the On Course Self-Assessment Inventory at the beginning of the class. Over the course of the semester, I have students analyze their Self-Assessment results, set goals for improving 3 of the Inner Qualities of Successful Students, and take actions towards those goals. At the end of the term, they retake the Self-Assessment and then write an essay in which they evaluate their growth in their three goal areas. Students truly benefit from this practice of self-directed learning – the goal setting, the work at attaining those goals, and the writing/reflecting about the process.

 

3. Strategy: Desired Outcomes/Experiences & Success Teams
Application:
Developmental Writing

Educator: Amanda Pierot, Faculty, Developmental English, York Technical College, SC
Implementation:
I have students identify their desired outcomes and experiences for my developmental writing course (e.g., be able to avoid sentence fragments, write more complex sentences, feel confident as a writer, make new friends).  Next I place them in groups of 3 or 4 students and have each group complete the Success Team Constitution. I give the teams 10 minutes per week in class to meet and hold each other accountable and encourage one another to take actions toward their desired outcomes and experiences. The resulting sense of community and positive relationships builds the students’ self-esteem as writers and provides motivation for them to keep up with assignments.

 

4. Strategy: Silent Socratic Dialogue
Application:
English Composition

Educator: Shari Pergricht, Counselor, Harper College, IL

Implementation: I co-teach a special section of an English Composition class with a focus on Holocaust literature. In the past, it was often difficult for us to ascertain the level of students’ understanding or engagement with the material, and I proposed that we use the Silent Socratic Dialogue as part of a class journal activity in the course. I just finished reading the journals this weekend and wanted to share some of the very gratifying comments students made about this activity:

·        I noticed quite a shift of energy, from lethargic to energetic, once I was encouraged to go deeper.

·        My emotions got more involved as I went on. I became more and more into my own world. I felt more solemn and in a way, calm.

·        I was most intrigued by a question my partner asked me because it was something I wouldn’t have thought of.

·        The most important thing I learned was how to go deeper into questions that I have to answer. I have never been asked to do this before.

·        I was really into it. I went so deep that I want to know more.

·        This activity made me think really hard.

All of the comments were positive; one student said she didn’t like the activity, but added that she still thought it was helpful, in spite of her discomfort with sharing her journal with another student. I would recommend using this exercise whenever a class is particularly quiet. We found that our students became more talkative after they had done this exercise.

 

5. Strategy: Graduation Game (Ring Toss)
Application:
Introducing a Term Paper

Educator: Sonia Delaquito, Transfer Specialist, Reading Area Community College, PA

Implementation: The purpose of this activity is to help students realize the importance of planning and breaking a large project like a term paper into manageable chunks rather than tackling the whole project all at once. After playing the Graduation Game, ask student to imagine that they had been given a 10-page term paper to write. Ask students questions such as the following: What would be a 3-foot toss in writing a term-paper? What would be a 9-foot toss? What would be a 30-foot toss? What are the advantages and disadvantages of writing a term paper with 3-foot tosses? With 30-foot tosses? How did classmates respond when the players took 3-foot tosses…or much long tosses? How did peer response influence the players? How have you approached writing a long assignment in the past…are you a 3-foot tosser or a 30-foot tosser?  How has that worked for you? How will you approach the upcoming term paper? How can you apply what you learned here to other classes and your life?

 

6. Strategy: Silent Socratic Dialogue
Application:
English 101 or 100A

Educator: Amy Nawrocki, Faculty, English, University of Bridgeport, CT

Implementation: Utilize the Silent Socratic Dialogue early in the semester to familiarize students with the process. Provide a handout with quotations (e.g., any of the pages of Timeless Wisdom quotations from the On Course I Workshop book). Have student choose one quotation and respond to it with free writing for 5- 10 minutes. Pair students and guide them through the Silent Socratic Dialogue, emphasizing that their questions should aim to help their partner probe more deeply and critically into the topic. For homework, have students write a first draft of their next essay. In the following class, pair students (perhaps with the same partner they worked with in the previous class) and, using their first drafts as the initial prompt, guide them once more through the Silent Socratic Dialogue. As before, encourage them to ask questions that will assist their partner to dive more deeply into the topic of the essay. For homework, have students revise their essays, answering some of the questions that were asked of them in the Silent Socratic Dialogue.

 

7. Strategy: Success Teams & Desired Outcomes and Experiences

Application: College Composition

Educator: Dick Harrington, Faculty, English, Piedmont Virginia Community College, VA

Implementation: Place composition students into critique groups of four; these groups function as success teams for the course. For all major writing projects, have each student write three desired outcomes and three desired experiences on Post-it notes and place them on the inside front cover of their notebook. When students achieve a desired outcome or experience, they move the Post-it to the inside back cover of their notebook. Provide examples of possible desired outcomes and experiences, and encourage students to focus on ones they consider to be especially challenging. A desired outcome might be, “I’ll achieve a workable focus by the time I submit a first draft to my critique group.” Another might be, “The draft I submit to my critique group for the proofing session will contain no more than five proofing errors.” Another could be, “During the critique in the second drafting session, no matter how defensive I may feel, I won’t act defensive and will listen to feedback.” A desired experience might be, “I’ll achieve the experience of fluency by writing the first draft very freely, expecting to rewrite and rewrite freely.” Another could be, “I will experience total confidence when I present my essay to my critique group.” Occasionally hold class discussions in which students share the desired outcomes and experiences they are working on; in this way, students hear additional examples of outcomes and experiences that they may not have considered. The purpose of critique groups is to help all members to achieve their desired outcomes and experiences in the composition course.

 

8. Strategy: Victim/Creator Language

Application: Developmental English

Educator: Jessie Wrenn, Faculty, English, South Arkansas Community College, AR

Implementation: Introduce students to the concept of Victim and Creator Language. Place them in small groups and ask them to write short skits that demonstrate real-life situations in which people are behaving as Victims, showing strong Inner Defenders or Inner Critics. Provide time for students to practice their skits; then have each group present its skit to the class (encouraging them to present Oscar-winning performances). After each skit, lead a discussion of the characters’ words and behaviors, identifying victims with strong Inner Defenders or Inner Critics. Upon completion of the skits, have the class vote on the top 3-5 Victims in all of the skits. Have students choose one of these “winning” Victims, and write reports suggesting changes that the character might make to improve the quality of his/her life. Have students share these reports with the class.

 

9. Strategy: Expert Groups (variation of the Jigsaw)

Application: English 101: Writing Introductions

Educator: Anne Messner, Faculty, English, Chattahoochee Valley Community College, AL

Implementation: The purpose here is to help students learn to write effective introductions. After presenting information about the characteristics of a well-written introductory paragraph (perhaps including a homework assignment to read the course text about writing intros), have students form three groups. In Step A, each group is assigned to develop expertise in a separate area of writing an introduction. Group One members become experts at composing and identifying powerful “hook” sentences. Group Two members become experts at composing and identifying effective theses statements. Group Three members concentrate on effective transitional sentences that move the reader smoothly into the body of the essay. In Step B, each student submits his/her next essay for review by the various expert groups. Each expert group makes suggestions for improvement and request revisions until the group designates the introduction as “good to go.” Students submit their introduction for review by the instructor only after they receive a “good-to-go” stamp of approval from all three expert groups.

 

10. Strategy: Dreams and 32-Day Commitment

Application: English Composition

Educator: No name given

Implementation: The goal of this activity is to have students write two essays and 32 short journal entries that are personally meaningful. For homework, have students create a collage that depicts one or more of their dreams or goals. The collages should also depict inner and outer obstacles that could keep them from achieving their dreams or goals. For purposes of understanding the assignment, show examples of collages previously created for this assignment (or create one yourself). After students present their collages in small groups, have them write an essay explaining their collage (dreams/goals and obstacles). Afterwards, have students identify one behavior that, if they did more of it or less of it, would help them achieve their dreams or goals. Have them undertake a 32-day commitment to do/not do their identified behavior and keep a daily journal to record their experiences. After 32 days, they present a summary or their experience to a small group, followed by writing an essay telling about their 32-day commitment experience and their lessons learned.

 

11. Strategy: Jigsaw
Application:
Introduction to Composition

Educator: No name given

Implementation: Have students get into groups of three. Each student chooses to become the group’s expert in one of the three parts of an essay: 1) Introduction, 2) Body, or 3) Conclusion. To complete Step A of the Jigsaw, tell students about the resources and time they have available to become their group’s expert. For example, available resources could be homework reading in their course text and sample essays provided by the instructor; available time could be 48 hours until the next class meeting. In Step B, have the three expert groups meet to plan how to teach their method to their home group members. Additionally, each expert group creates a rubric to be used to evaluate student compositions. The instructor reviews these rubrics for appropriateness (revising where necessary). In Step C, experts return to their home groups, teach their part of a composition (Introduction, Body or Conclusions) and explain the rubric that will be used to evaluate every student’s composition. The instructor answers questions about the rubric and has students practice using the rubric by applying it to an anonymous essay written in a past semester.

 

12. Strategy: Monthly Calendar

Application: This strategy can be used in any class that has homework assignments and or tests

Educator: Diane Raines, Faculty, English, Roane State Community College, TN

Implementation: Along with a syllabus, I give my students a "tentative schedule" that has all the dates the class meets. For each day the class meets, the schedule I provide lists assignments due and what we will be doing in class that day. I give students a variation of the monthly calendar (one for each month the class meets) and have them fill in, using a certain color of ink (e.g., green), when assignments are due in my class. I have them complete this task during class so that I know they are doing it. I then recommend that they fill out their monthly calendars for the rest of their classes, using a different color ink for each additional class.

 

13. Strategy: Silent Socratic Dialogue
Application:
Composition

Educator: Amanda Jerome, Faculty, English, Saddleback College, CA

Implementation: I like the idea of having students respond to a profound quotation, so I have them choose one from a list and then free write in their journals. Then they exchange journals with someone else who writes a response and a question. Then they get their own journal back and write an answer. Next, students trade journals with a different student who reads the entire dialogue so far, adds a response and asks a question. Then the original writer gets his/her journal back, writes and answer, and then exchanges with a third partner, who reads the entire journal and writes a response. In total, students receive three responses to their original ideas, and they have practiced writing clearly and thinking critically.

 

14. Strategy: Silent Socratic Dialogue
Application:
Composition - Teaching the Process Essay

Educator: Supriya Draviam, Faculty, English, Cuyahoga Community College, OH

Implementation: After students are comfortable with one another, have them write a response to the question, "What would you like your life to be like ten years from now." Then using the Silent Socratic Dialogue, have students ask each other questions that will enable their partners to think of a plan/road map/program for making that ideal future come true. In other words, what process will they use to create their desired outcomes and experiences? This activity prepares students to have adequate supporting details to write their Process essay with confidence. At the same time it enables them to come up with specific strategies for achieving the future life they want.